Re-considering Cultural Politics in the Analysis of Contemporary Chinese Music: The Case of Ghost Opera.

[Contemporary Music Review]. Volume 26 Issues 5 and 6, 2007.

Horizon of Expectations and the Rhetoric of National Style.

[KunstMusik]. Volume 8, 2007.

God has (not) given up on Darmstadt.

[Autograf Magazine]. Darmstädter Echo, 1/2006.

Music Smart IV - Music of the Seasons.

Workbook for Hong Kong Philharmonic Orchestra’s Music-In-Education Program. 2005.

Internationalism, Individualism and Chinese National Style: The Hybrid-identity Composer and the In-between Space.

Master of Philosophy Dissertation. University of Hong Kong, 2005.

The Voicing of the Voiceless in Tan Dun's The Map.

Presentations:

(1) Hong Kong Post-graduate Musicology Symposium, HKU 2005.

(2) PCPC Graduate Student Symposium, University of Pennsylvania 2006.

(3) Music and the Asian Diaspora Symposium, Rider University 2006.

(4) Works-in-progress series, Department of Music, Princeton University 2006.

(5) Internationales Musikinstitut Darmstadt 2006.

N.B.: Article currently under review at [Asian Music].

Decoding Transcendence, Undoing Spirituality: Re-considering Music Scholarship at the Twilight of the Canon Industry.

Presentations:

Works-in-progress series, Department of Music, Princeton University 2007.

Repressing Disorder, Othering Chaos: Composition Intent and the Rhetoric of Musical Notation.